De vogels houden u in de gaten

For the Terschelling Oerol-festival Judith Hofland created an audiotour on location about watching and being watched. The visitors were individually guided through the town, woods and dunes of West-Terschelling wearing white headphones.

They got told a story by a little girl about her grandfather, giving directions and assignments along the way. But during the tour one starts to wonder how much is true of the stories told and how real the little girl actually is.

The tour ends in a former communications-building on top of the dune where the visitors are confronted with security footage of themselves shot the village and woods.

Sylvain created the software that collected the footage from the network-cameras in the village and the trees and the interface to select these images and send them to the building up on the dunes. The visitors are then confronted with multiple screens and prints with footage of themselves while walking the tour.

Hallo, hallo, bent u daar nog?

Arnoud Traa created an audiotour for the Amsterdam Underground festival. The visitor was led through the dark maintenance-tunnel under the IJ in Amsterdam.

Sylvain created the hard- and software for an old telephone at the end of the tunnel that constantly rang and once picked up by a visitor played back an audiotrack that continued the tour.

Television, does it influence us or do we influence it?

The In-Sucking Power of the General Excuse is an installation / performance which takes in and processes a live television-signal and outputs new images and sounds. It plays with the narrative and shows the level of abstraction and randomness we have gotten used to.

The performer or user uses a normal remote control to switch channels to generate new images and sounds. Each time the channel changes a new algorithm is triggered. At first the channel will show normally and then gradually the algorithm changes the image and the sound. In some cases this is hardly noticeable, sometimes it is more direct, all depending on the expectations one has of the channel being watched.

Like with regular television, you have no real control on the output. If you don't like what you see and hear you can only change the channel.